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Best Service Nemesis 3 Virtual Instrument, Download

Best Service Nemesis 3 Virtual Instrument, Download

<b>Superior Sound with NeoFM Synthesis</b>Nemesis can do classic digital synthesis methods as well as a new approach called 'NeoFM'. NeoFM is more powerful and easier to program than traditional FM. It offers superior sound quality. A warm and creamy signature-sound is generated by its engine.<b>Sounds and synthesis</b>Nemesis is a powerful synthesizer with a vast sound library created by professional designers. It offers a unique silky signature sound, capable of producing a wide range of tones from warm and smooth to classic metallic FM synthesis sounds. Nemesis supports numerous digital synthesis methods, including Neo-FM, true FM synthesis, phase modulation, waveshaping, additive synthesis, phase-distortion, formant synthesis, cross blending waveforms, PWM, ring modulation, waveform resynthesis, and resonance. Users can also import their own content, providing endless sonic possibilities. It features multiple play modes, including polyphonic, mono, legato, and true 4x stereo unison.<B>Neo-FM: The future of FM Synthesis</B>Neo-FM is not just a marketing buzzword. Nemesis heralds the next evolutionary step in FM synthesis: Neo-FM SynthesisNemesis synthesizer blends the benefits of digital and analog synthesis while avoiding their drawbacks. Traditional digital FM/PM synths can suffer from aliasing, leading to unpleasant, metallic sounds at high pitches. Analog synths, while free from aliasing, can produce dissonant sidebands due to slight oscillator drift. Nemesis overcomes these issues with its NeoFM approach, combining the best aspects of both technologies.Unlike older FM synths like the DX7, which are limited to sine waves and simple waveforms to mask aliasing, Nemesis supports a wide range of waveforms, including custom .wav files. This flexibility allows for deeper FM modulation and a broader sonic range without the aliasing problems found in other synths.Additionally, Nemesis achieves superior sound quality with 70,000x oversampling, compared to competitors that use 2x or 4x oversampling. Despite this high-quality output, Nemesis maintains low CPU usage through advanced techniques such as multi-core processing and DSP optimizations.<b>Effects</b>There are 48 high-quality effects available that can be combined with each other. Flexible routing options complete the extensive effects section. The innovative ducking-module makes your mix more transparent and rich by dynamically fading out reverb-tails. Nemesis offers smart-micro-tuning, which automatically analyzes the notes played to improve the sound of chords. It 'just works' - you do not need to take care of anything. An optional psychoacoustic module gives your tracks more kick and volume. Nemesis has a gate section for creating rhythmic patterns. Extended functions such as contour, fading, swing and shuffle allow you to fine-tune the sounds perfectly.<b>Arpeggiator</b>The arpeggiator in Nemesis is inspiring, powerful and easy to use. Just select your notes inside the note sequencer as...

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Best Service Chris Hein Orchestral Brass EXtended Upgrade, Download

Best Service Chris Hein Orchestral Brass EXtended Upgrade, Download

<b>Upgrade for registered users of Chris Hein Orchestral Brass Compact</b>Chris Hein Orchestral Brass EXtended is an extensive orchestral brass library meeting highest expectations regarding sound quality, expression and applicability. With the upgrade from Chris Hein Orchestral Brass Compact to the EXtended Version you not only get access to all available articulations from the Complete Version but also three additional low brass instruments plus 6 additional ensemble patches. All in all, Chris Hein Orchestral Brass EXtended contains 20GB of additional content - more than twice as much as the original library and over 43,000 new samples.<Br><b>Instruments included in the EXtended Version</b><Br><b>F-Tuba, Sousaphone, and Euphonium</b>In fact, these three Low Brass Instruments have more articulations and samples than the original Brass Instruments - there are 24 articulations in total for each of the Tuba, Sousaphone and Euphonium.In addition to 5 different sustains, 6 different shorts and 5 different special articulations, you'll find:<Br><Br>• Added Repetitions in 16th and 8th notes with adjustable speed• 6 new short articulations and hundreds of stunning one shot effect samples<b>EXtended Version Ensembles</b>For an epic Hollywood sound Chris Hein added six Ensemble Instrument patches using the same mixing techniques he used for his Ensemble Strings library, Chris has created extra large, epic Brass Ensembles from a careful mixture of the solo instruments. Thanks to the sonic quality and the extremely wide dynamic range, this version of Orchestral Brass offers instantly fat and full sounding Ensembles for each instrument group.<b>Includes</b>Trumpet Ensemble large, Trombone Ensemble large, Horns Ensemble large, Low Brass Ensemble, Full Brass Ensemble, Full Brass Ensemble without the Trumpets.The low brass ensemble is a particular highlight, with extended articulations including: Ensemble repetitions, 6 new short articulations, 12 different Note Heads and a large variety of spectacular Ensemble Effects.<Br><b>Features</b><b>Note-Head Variations</b>Changing the Note-head variations has always been a standout feature of Chris Hein libraries, and with Orchestral Brass EXtended the number of different attack articulations increases from 6 to 12. This is the easiest way to bring more character, variations and nuance to your brass performances. Instantly switch between all versions of clean or dirty attacks by just moving the Note-Head fader.<Br><b>Simulated Mute Controls</b>The simulated mute controls inside Orchestral Brass EXtended are effective, realistic and first and foremost lots of fun. Because they're modelled, rather than sampled, Orchestral Brass EXtended consists of a reasonable size without multi-sampling every different type of mute. All the EXtended instruments are armed with the mute modelling, accessible from the front panel. Included are five different Mutes: Bucket, Cup, Harmon, Straight, and Stop mute.<Br><b>The User-Interface<...

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Arturia Rotary CLS-222 Plug-In, Download

Arturia Rotary CLS-222 Plug-In, Download

<b>Revolving stereo motion</b>Rotary CLS-222 reimagines the classic Dynacord rotary speaker emulator as a creative plugin that goes from silky smooth stereo swirls to spinning synchronized patterns - enhancing your sound with extra width, momentum, and analog character in seconds.<b>Send your sound spinning</b>Bring your sound full circle with the instantly recognizable sound of the rotary effect; discover the iconic spinning character heard on countless records, or explore the wilder side of stereo movement with bonus creative features. What goes around...<b>Definitive rotary emulation</b>The sought-after analog box that delivered the full-tilt Leslie sound without the need for a spinning box - brought to life in all its stereo analog detail, right in your DAW.<b>Classic to chaotic</b>Capture that classic rotation for ultra-smooth stereo sheen, or opt for dizzying compound mayhem & synchronized modulation to explore your stereo field in a whole new way.<b>Spin any sound in stereo</b>The rotary effect pairs perfectly with keys and guitars, but Rotary CLS-222 is built to experiment with any sound for everything from psychedelic beats to dense ambient soundscapes.<b>Creative upgrades</b>Push Rotary CLS-222 into creative territory beyond its hardware predecessor with thoughtful upgrades like a valve preamp, separate bass & treble speeds, an interactive visualizer, and more.<b>A closer look</b>Discover Rotary CLS-222's main controls for rapid stereo results, or head to the Advanced panel to get adventurous with deeper creative control.<b>Pre-amp</b>Push the authentically-modeled Op-amp circuit for aggressive crunch, or opt for something gradually warmer with the additional Valve option.<b>Rotor Balance</b>Adjust the balance between the Bass and Treble rotors to sculpt your modulated sound into the right shape for your mix.<b>Stereo Image</b>Continuously adjust the width of Rotary CLS-222's sound, from simple mono through to 120% Super Stereo.<b>Speed Control</b>Rev it up to Fast mode, which is 10x the Hz rate or 8x the synched rate; wind it down to 'Slow' for smooth, classic keys sounds; or freeze Rotary CLS-222's motion in 'Stop' mode<b>Output</b>Set the output level of Rotary CLS-222's wet signal for extra control over your mix balance.<b>Input filter</b>A simple high-pass filter; carve out as much or as little low end as you want before your sound enters the circuitry.<b>Global Speed controls</b>Separately control the emulated rotors for Bass and Treble frequencies, choose between Hz and Sync modes, and even set the Treble rotor to spin at a ratio rate linked to the Bass rotor for unique compound modulation.<b>Visualizer</b>See your modulated signal's behavior in real-time. plus choose from 4 phasing options to customize the interplay between the two emulated rotors.<b>Distance controls</b>Tweak the size and shape of the emulated rotation to go from subtle circular swirls to dramatic Comb motion.<b>Dry/wet</b>Blend your dry signal with Rotary...

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Boz Digital Labs New York L Grand Piano Virtual Instrument Bundle, Download

Boz Digital Labs New York L Grand Piano Virtual Instrument Bundle, Download

<b>Two Pianos. Same Model. Generations Apart.</b>We had the privilege of sampling two pianos of identical models (Steinway Model L), both built in the same factory, but 65 years apart. The difference in sound between these two pianos was not subtle. Each has its own character and quirks. The New York L 1926 is growly with pronounced overtones. The New York L 1991 is clean and bright with a smooth sound.How much of this difference is because of the age difference? There's almost no way to know. Pianos are complex instruments with hundreds of moving parts that can all be adjusted. So even with the same soundboard size, you can get an amazing amount of variety from these two pianos.<b>- New York L 1926 Pro Piano Virtual Instrument -</b><b>Vintage, resonant, mid sized grand piano</b>When you take an amazingly designed piano and let it age nearly 100 years in ideal conditions, you end up with something kind of magical. This piano is exactly that. Combine the world changing sound that was this piano model and let it age and you get a truly unique instrument.<b>With Age comes Wisdom</b>The new York L 1926 offers a unique and rare sound. Most pianos this age have one foot in the grave. Once they are old enough, they either need to be rebuilt or taken to the dump. But not this one. This piano is a wise old sage who knows his age but can outrun most pianos in their prime. All parts are original. The strings have gained a healthy growl that new strings don't have, but manages to avoid getting the thuddy low end like most strings do. What you end up with is a resonant, growly piano with a couple of quirks, but boy does this thing know how to sing.<b>Technicalities</b>The New York L 1926 is sampled from a 5' 10" Steinway Model L built in 1926 (Serial Number 241663), transported from California to Olympia, WA four years ago. Though all its parts are original, it has been kept in an extremely well controlled environment that has allowed it to age gracefully. It was sampled in a small, open living room with 4 stereo microphone positions, carefully placed to get the most out of the piano and the room.<b>- New York L 1991 Pro Piano Virtual Instrument -</b><b>Modern, clean, elegant mid sized grand piano.</b>What do you get when you take the multiple gold standards in piano design and manufacturing and stick them all into a single piano? You get the New York L 1991. When you think of the sound of the ultimate piano, nothing comes closer to that sound than this. There's a reason why these pianos have been become synonymous with high class and quality.<b>Clean and Powerful</b>The new York L 1991 offers just the right balance of clean and powerful, with just the slightest hint of charm that comes from a medium sized grand piano. Clocking in at just under 6 feet, this piano boasts a powerful set of strings that produce that quintessential piano sound that every manufacturer has been trying to obtain for the past 100 years. Each note has a crystal clear and powerful tone...

Brand: Boz Digital LabsCustom Shipping
$99
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Best Service Kwaya African Voices Virtual Instrument, Download

Best Service Kwaya African Voices Virtual Instrument, Download

<B>The sound of the sun rising above the savanna</B><BR><BR><B>Kwaya - African Voices by Eduardo Tarilonte</B><BR>Kwaya is an unrivaled choir library offering authentic African voices and chants. With Aba Taano from Uganda, Eduardo Tarilonte found the perfect choir for this long and intensely prepared project.<BR><BR>Kwaya is an ideal choice for every producer wanting to use distinctive and expressive African chants and vocals in their works. Kwaya stands for incomparable inspiration paired with unbeatable versatility - no matter if you work on movie- or television-soundtracks, thematic documentaries, musical compositions, atmospherically ambient themes or tribal-dance-tracks.<BR><BR>Kwaya allows you to create individual vocal and choir lines by arranging syllables in different pitches as well as voice effects with the typical sound of African vocalists.<BR><BR>The award-winning Aba Taano choir consists of four male and two female vocalists which were recorded separately for this library in Kontakt 5 Player format, allowing you to create individual vocal-ensembles to your specific needs. Being able to freely set the level and pan-positions for each voice, you are given full control over the sound of the choir, resulting in the highest possible versatility.<BR><BR>40 different syllables were recorded for each singer. You can switch between them in time via key-switches. By using five "True Legato Vowels" (a, e, I, o, u), these syllables can be combined in a most natural way. In addition, there is an extra "mm" articulation that is unmistakably typical for East- and Central-African chants.<BR><BR>All syllables can be played as solo voices or within an ensemble. Here, you may chose between short and longer articulations for the syllables. For the short syllables in particular, the speed of each individual syllable can be fine-adjusted in the phrase arranger.<BR><BR>Although Kwaya uses more than 10,000 samples and 7 GB of data (lossless compressed to 5 GB), it is really straight-forward and easy to use. The library offers a set of 20 different phrases with eight syllables each. These can be changed using the key switches and edited in the phrase arranger. Here, you can chose between 40 different syllables, five vowels and the "mm" articulation. After selecting the syllables, you just need to choose between short and long articulations. There is full NKS support for Native Instruments' Komplete Kontrol controller-keyboards.<BR><BR>A special treat is the collection of over 700 vocal effects that can be added to the syllables of the choir. Finally, Kwaya also offers a choice of soundscapes with atmospheres ranging from harmonic to sinister.<BR><BR>The recordings of Kwaya took place in the Spanish Eldana Studio, where Eduardo Tarilonte already worked on different instruments for Era II. This small studio offers wonderful acoustics and excellent technical equipment. The singers of Aba Taano were recorded with API preamps using a unique U47 microphone,...

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