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Name: Avie Gal / Briggs / Beth,Sarah - Concerto for Piano and Orchestra - COMPACT DISCS [CD]
Brand: Avie
SKU: ef431876364b052ea79bc7e45e5ea687
Price: 22.83 USD
Availability: InStock

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Bringing to light another of Hans Gál's gorgeously melodic and finely crafted scores, AVIE presents the world premiere recording of the Austrian émigré's Concerto for Piano and Orchestra with English pianist Sarah Beth Briggs supported by Gál aficionado Kenneth Woods conducting the Royal Northern Sinfonia. Written in 1948, Gál's large-scale romantic concerto abounds with sweeping phrases and pyrotechnics, yet at the heart of the piece lies the composer's signature clarity and precision, making the work an ideal coupling for his 18th century Viennese compatriot Mozart's great E-flat major concerto of 1785. Album Tracks 1. GÁL Concerto for Piano and Orchestra, Op. 57 (1948) 2. Mozart Piano Concerto No. 22 in E-Flat, K. 482 (1785)

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Avie Gal / Briggs / Beth, Sarah - Concerto for Piano and Orchestra

Experience the captivating blend of classical artistry with the Concerto for Piano and Orchestra featuring the brilliant performances of Avie Gal, Briggs, and the talented Beth and Sarah. This compact disc showcases a masterful orchestration that beautifully highlights the piano's emotive power alongside a rich orchestral backdrop. Each track invites listeners into a world of intricate melodies and dynamic rhythms, making it a perfect addition to any classical music collection. Ideal for both seasoned aficionados and new listeners, this CD promises an enchanting auditory journey. Don't miss out on this exquisite musical experience!

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This intriguing album intertwines tenor cantatas and recorder sonatas. The chosen music comes from the highest time in Italian Baroque. Previous recordings by the La Tempesta Basel have been critically acclaimed. InchThe La Tempesta ensemble from Basel is led by recorder player Muriel Rienth, who performs with clarity and a good sense of phrasing. She blends with the voice, her husband Felix Rienth, so that the two form an inseparable duo. The continuo group remains discretely in the background, giving a solid foundation but never overshadowing the upper lines.Inch (Fanfare) InchFelix Rienth has a light and flexible tenor, always on pitch and giving the music much in the way of fine nuance, making Pepusch come alive. I am also impressed by Norberto Broggini's playing of the organ voluntaries. He has a fine knack for choosing good registrations that are never overbearing, but always bring out the frenetic lines with seeming ease. This is one fine disc, and not only does Pepusch need to be resurrected beyond The Beggar's Opera, this performance does his competent and interesting music full justice.Inch (Fanfare)

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Brilliant Classics Orchestra Sinfonica di Roma - Respighi Collection (Italian Romatics Series) - COMPACT DISCS [CD]

The most comprehensive set ever compiled of instrumental music by Respighi, featuring classic scores such as The Pines of Rome alongside hidden treasures of chamber music. All modern recordings made by native Italian musicians between 2009 and 2015 both an ideal starting and destination point for anyone looking to explore the vibrantly coloured musical world of Respighi. Italy's landscape and history supplied Ottorino Respighi with a deep and seemingly inexhaustible well of inspiration and material on which to draw. Works as superficially diverse as the elegantly neoclassical Ancient Airs and Dances, and the opulently orchestrated extravaganza of the Roman trilogy, are united by Respighi's care for his native heritage, and his curation of it as a living object. He is, in this sense, no less centrally an Italian composer than those of his colleagues dedicated to continuing the opera tradition, from Bellini to Puccini. Yet there is so much more to Respighi than those two collections. There is the hour-long Sinfonia Drammatica which finds Respighi at his most Straussian. There is the pulsating and neoclassical Toccata for piano and orchestra, the contrasting delicacy of the orchestral triptych after paintings of Botticelli, the withdrawn beauty of his Church Windows sequence, and a sequence of concertante works for violin and orchestra, none of which fit neatly into the 'romantic concerto' template. Perhaps the least known and most intriguing work in his orchestral output is his dark and brooding Metamorphoseon, commissioned by Serge Koussevitzky in 1930 and thus long predating Richard Strauss's postwar elegy of (almost) the same name. The piano and chamber works of Respighi illuminate complementary aspects of his identity, such as his feeling for long-breathed melody and drama in the violin sonatas, and the deft turns of phrase in his student-era piano pieces. When the

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Avie Gal / Briggs / Beth, Sarah - Concerto for Piano and Orchestra

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Avie Gal / Briggs / Beth, Sarah - Concerto for Piano and Orchestra

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Avie Gal / Briggs / Beth,Sarah - Concerto for Piano and Orchestra - COMPACT DISCS [CD]