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Name: Hal Leonard 295491
Brand: Hal Leonard
SKU: ad710e0d4fb3a393993540bfc2d6d868
Price: 28.99 USD
Availability: InStock

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Study the trademark songs, licks, tones, and techniques of blues juggernaut Joe Bonamassa. This comprehensive book and audio teaching method provid...

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Hal Leonard 295491

Discover the Hal Leonard 295491, a versatile music book designed for musicians of all levels. This collection features a variety of popular songs arranged for easy play, making it perfect for both beginners and seasoned players. The clear notation and user-friendly layout ensure a smooth learning experience. Whether you're practicing solo or jamming with friends, this book will enhance your musical repertoire. Ideal for guitarists, pianists, and vocalists, the Hal Leonard 295491 is a must-have addition to your music library. Get ready to elevate your playing and enjoy hours of musical fun!

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Nimbus Records Augusta Read Thomas - Bebop Riddle II for Cello & Piano - COMPACT DISCS [CD]

When playing and hearing BEBOP RIDDLE II the virtuosity, flexibility, and energy of superstar jazz upright-bass players Charles Mingus, Ron Carter, and Ray Brown leap to ear and mind. This force, intersected with other specific musical perfumes formulate a unique sonic palette. Thomas said, InchI love how music talks with music.Inch Imagine the pointillistic intricacy and contrapuntal, conversational, interlocking-lines of J.S. Bach's keyboard music crisscrossed with Bill-Evans-and-Thelonious-Monk-like harmonies, then further overlapped with the energy of bebop's fast tempo, rapid chord changes, mood shifts, and instrumental flair. Thomas braids these auras (there are no musical quotes in the composition) into a personal, nuanced amalgam that captures the spirit of improvisation, at turns whimsical, soulful, vivacious, reflective, and animated. Thomas said, InchThere is a lifeforce when one musician speaks in music with another. Even if from time to time one musician is silent, there is still an animated spirit and energy.Inch She writes on her score, InchFull of spirit; Enthusiastic inner-life for each note, line, and hocket.Inch This refined composition is a 7-minute conversation between cello and piano as well as a conversation between composer and some of her musical idols. Thomas is composing a series of InchBebop RiddlesInch all of which are completely independent, unique works. Bebop Riddle I is for solo marimba. Thomas dedicates this work with admiration and gratitude to Ellen Highstein to honor her longstanding leadership of the Tanglewood Music Center. Commissioned by the Tanglewood Music Center and the Boston Symphony Orchestra.

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Zig Zag Territories Quatuor lys e - Les 6 Quatuors / Les 6 Bagatelles - COMPACT DISCS [CD]

Album Tracks 1. Quatuor Elysee - Streichquartett NR. 76 D-Moll Op 2. 1. Allegro 3. 2. Andante O Piuttosto Allegretto 4. 3. Menuet Allegro Ma Non Troppo - Trio 5. 4. Finale Vivace 6. Quatuor Elysee - Bagatellen Fuer Streichquartett O 7. NR. 5 Ohne Satzbezeichnung 8. Quatuor Elysee - Streichquartett NR. 75 G-Dur Op 9. 1. Allegro Con Spirito 10. 2. Adagio 11. 3. Menuetto Presto - Trio 12. 4. Finale 13. Quatuor Elysee - Bagatellen Fuer Streichquartett O 14. NR. 1 Ohne Satzbezeichnung 15. Quatuor Elysee - Streichquartett NR. 77 C-Dur Op 16. 1. Allegro 17. 2. Poco Adagio 18. 3. Menuet Allegro - Trio 19. 4. Finale 20. Quatuor Elysee - Bagatellen Fuer Streichquartett O 21. NR. 4 Ohne Satzbezeichnung 1. Quatuor Elysee - Streichquartett NR. 79 D-Dur Op 2. 1. Allegretto - Allegro 3. 2. Largo Cantabile E Mesto 4. 3. Menuetto Allegretto - Trio 5. 4. Finale Presto 6. Quatuor Elysee - Bagatellen Fuer Streichquartett O 7. NR. 3 Ohne Satzbezeichnung 8. Quatuor Elysee - Streichquartett NR. 78 B-Dur Op 9. 1. Allegro Con Spirito 10. 2. Adagio 11. 3. Menuet Allegro - Trio 12. 4. Finale Allegro Ma Non Troppo - Piu Allegro - P 13. Quatuor Elysee - Bagatellen Fuer Streichquartett O 14. NR. 2 Ohne Satzbezeichnung 15. Quatuor Elysee - Streichquartett NR. 80 Es-Dur Op 16. 1. Thema Und Variationen 17. 2. Adagio Fantasia 18. 3. Menuet Allegro - Trio 19. 4. Finale Allegro Spiritoso 20. Quatuor Elysee - Bagatellen Fuer Streichquartett O 21. NR. 6 Ohne Satzbezeichnung

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Kai Laursen Plays 26 Danish Violin Concertos 2

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Rubicon Alison Luthmers - J.H. Roman: Assaggi for Solo Violin - COMPACT DISCS [CD]

'The father of Swedish music' and 'the Swedish Handel' are two descriptions of Johan Helmich Roman one of Sweden's most important composers. About as cosmopolitan as you could get, he spent six years in Handel's orchestra at the King's Theatre, and his extensive travels around Europe brought him into contact with fellow composers in France, Italy and Germany. London was home to many composers from mainland Europe, notable among them, not only Handel, but Francesco Geminiani. Roman composed around twenty Assaggi (Assaggio has been translated as 'sample', 'essay', 'study' or 'experiment') and they range from multi movement works to single movements, with some surviving as just fragments. They were composed in the 1730s, and they were published, making it very likely that the composer intended them to be performed. If they were intended to be exercises, then their composer possessed a formidable technique. They are also beautifully written for the violin and reveal a startling musical imagination at work. Album Tracks 1. Assaggio in E minor BeRI 312~I. 2. Assaggio in E minor BeRI 312~II. 3. Assaggio in E minor BeRI 312~III. 4. Assaggio in E minor BeRI 312~IV. 5. Assaggio in E minor BeRI 312~V. 6. Assaggio in A major BeRI 301~I. 7. Assaggio in A major BeRI 301~II. 8. Assaggio in A major BeRI 301~III. 9. Assaggio in A major BeRI 301~IV. 10. Assaggio in G minor BeRI 314~I. 11. Assaggio in G minor BeRI 314~II. (Allegro) 12. Assaggio in G minor BeRI 314~III. 13. Assaggio in G minor BeRI 314~IV. (Non troppo Allegro) 14. Assaggio in G minor BeRI 320~I. 15. Assaggio in G minor BeRI 320~II. 16. Assaggio in G minor BeRI 320~III.

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Brilliant Classics Gran Duo Italiano - Music for Violin / Viola & Piano - COMPACT DISCS [CD]

?Guido Santorsóla (1904-1994) began his musical studies at the age of five, taught by his father, a sculptor, trumpeter and double bassist who moved from Southern Italy to São Paulo, Brazil in 1909, with the rest of the family joining him the following year. He enrolled at the São Paulo Conservatory of Music, then travelled to Naples to hone his violin technique and later London, where he studied at the Trinity College of Music under Alfred Mistowsky. His eventual return to Brazil coincided with a visit from Pietro Mascagni. At a concert in the great composer's honour Santorsóla, accompanied at the piano by Mascagni himself, performed his own compositions for violin and piano for the first time. Santórsola's final compositional period began at the age of 58, in 1962. He devised a very personal 12-tone technique free from conventional rules, and not to be confused with Schoenberg's. His language is rooted in the golden age of Florentine counterpoint through to Bach. The novel instrument used on this recording - the gran violino a 5 corde (great five-string violin) - originated from an idea by violinist Mauro Tortorelli, who commissioned the luthiers Vincenzo and Marco Corrado - based in Montegiordano, in southern Italy - to build a special instrument covering both the violin and viola registers by adding the viola's low C string to the usual four of the violin. This ingenious solution allows the performer to switch between violin and viola repertoire on the same instrument. The Sonata for violin and piano, composed in São Paulo in 1928, undoubtedly belongs to Santórsola's early compositional period. Divided into three movements - Con sofferenza, Andante espressivo, Deciso - it is based on classical sonata form but with typically post-romantic expressive, passionate themes, enriched with original South America-inspired harmonies. Saudade, a nostalgic piece for violin an

Brand: Brilliant ClassicsCustom Shipping

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Hal Leonard 295491