Symphonie Fantastique Op 14 / Les Nuits D'ete

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Symphonie Fantastique Op 14 / Les Nuits D'ete

Name: Symphonie Fantastique Op 14 / Les Nuits D'ete
SKU: 1e8747f423725302e182b9f9a41447fe
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Marilyn Horne is featured vocalist, Hetu conducts the Montral Symphony Orchestra in the lovely Berlioz song cycle; Charles Munch conducts the Orchestra of Radio Canada in Symphonie Fantastique.

Lena Neudauer - Complete Works for Violin & Orchestra - COMPACT DISCS [CD]

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The Swiss composer Émile Jaques-Dalcroze (1865-1950) is best remembered for his development of Eurhythmics, which teaches the appreciation of music through movement. The buoyant miniatures recorded here document his fascination with dance, including a flirtation with jazz and ragtime, although the apparent innocence of the music conceals a striking degree of metrical and rhythmic complexity, cast in a style that owes something to Debussy and Fauré - animated by the blithe spirit of Chabrier. Xavier Parés, a native of Barcelona, and Patricia Seiffert, from Fribourg, in Switzerland, have their own concert careers but both also teach at the Institut Jaques-Dalcroze in Geneva.

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Franz Liszt Piano Duo - Piano Music 34 - COMPACT DISCS [CD]

Liszt wrote his A Faust Symphony; Three Character Pictures, Faust, Gretchen and Mephistopheles, after Goethe, in 1854, adding a choral finale three years later, when it was first performed in Weimar. Further revisions took place, with changes introduced even as late as 1880. He transcribed the second Gretchen movement for solo piano, completing it eventually in 1874, and in 1862 published his version of the work for two pianos, revising it in 1870. The subject of Faust, the scholar who sold his soul to the Devil in return for youth and power, had a particular attraction to artists in the nineteenth century, when Faust might appear as a human hero, an opponent of ancient tyrannies, political and religious, and the Devil himself might seem to have similar attractions. Where the Elizabethan version of the story by Christopher Marlowe brought Faust to a medieval Hell, Goethe's monumental and influential poetic treatment of the subject ended in the final redemption of Faust through the power of love and of the woman he had wronged, Gretchen. Liszt based his symphony on the literary work of his great predecessor in Weimar, Goethe, and returned to the subject of Faust in later compositions based on Lenau's Faust, including the Mephisto Waltzes. The second movement, Gretchen, generally lightly scored, starts with a gentle passage, scored originally for flutes and clarinets, followed by the main theme, played by oboe accompanied by solo viola, the two piano version marked Innocente. There is a short passage that represents the scene in the garden when Gretchen plucks the petals of a flower, seeking to know whether Faust loves her or not. A second Gretchen theme is heard, and in the central section of the movement Faust's theme of love appears, and a descending melody associated with Faust's yearning. The agitated theme of Faust's struggle re-appears, now mollified in a gentler

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Symphonie Fantastique Op 14 / Les Nuits D'ete

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