Leonardo García-Alarcón's first major composition, La Passione di Gesù, is a Inchcanonical labyrinth in the form of an oratorio,Inch a tribute to counterpoint and to all the composers who have magnified this art, Johann Sebastian Bach foremost among them. Inspired by the Gospel of Judas, it is a passion for our times, which gives a special place to the figure of the apostle who betrayed Christ, and to the women who surrounded him. With his ensemble Cappella Mediterranea and a team of loyal and highly committed soloists, the Argentine conductor invites us on an extraordinary journey in the form of a labyrinthine tale - à la Jorge Luis Borges, another source of inspiration - crossing languages, styles and instruments, both modern and ancient, including, of course, the bandoneon InchThe coded instructions that accompany the sung text are like puzzles to be solved to help the listener find their way out of the labyrinth-or not,Inch concludes Leonardo García-Alarcón.