Ian Pace - Music for Piano Played By Ian Pace - COMPACT DISCS [CD]

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Ian Pace - Music for Piano Played By Ian Pace - COMPACT DISCS [CD]

Name: Ian Pace - Music for Piano Played By Ian Pace - COMPACT DISCS [CD]
SKU: feeffafad774816478fc080321f9c85f
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Album Tracks 1. Piano Concerto No.6 2. Snowdrift 3. Oberto (Act 2) I. Aria 'Sciagurata! a Questo Lido Ricercai L'amante Infido!' 4. Un Giorno Di Regno (Act 1) II. Trio 'Bella Speranza in Vero' 5. Nabucco (Part 2) III. Chorus 'Il Maledetto Non Ha Fratelli' 6. I Lombardi (Act 3) IV. Chorus 'Fra Tante Sciagure...' 7. Ernani (Part 1) V. Septet with Chorus 'Vedi Come Il Buon Vegliardo...' 8. I Due Foscari (Act 3) VI. Choral Barcarolle 'Tace Il Vento, E Queta L'onda' 9. Giovanna D'arco (Act 1) VII. Aria 'So Che Per Via Di Triboli' 10. Alzira (Act 2) VIII. Duet 'Il Pianto... L'angoscia... Di Lena Me Priva 11. Attila (Act 1) IX. Aria 'Mentre Gonfiarsi L'anima' 1. La Forza Del Destino (Act 1) X. Romanza 'Me Pellegrina Ed Orfano' 2. MacBeth (Act I) XI. Chorus 'S'allontanarono! N'accozzeremo' 3. Attila (Prologue) XII. Duet 'Vanitosi! Che Abbietti E Dormenti' 4. Simon Boccanegra (Act 2) Fragment (A) 'Cielo Pietoso, Rendila a Questo Core' 5. La Traviata Fragment (B) la Traviata 6. Aroldo (Finale Act 1) Fragment (C) 'Vi Fu in Palestina' 7. Aida (Act 3) XIII. Romanza 'Ocieli Azzuri...' 8. I Masnadieri (Part 3) XIV. Duet 'Qual Mare, Qual Terra...' 9. Don Carlo (Act 5) XV. Aria 'Tu Che la Vanita Conoscesti' 10. To & Fro 11. Piano Concerto No.4

Margarita Hohenrieder - Piano Concertos - COMPACT DISCS [CD]

For years, Margarita Höhenrieder was searching for the authentic sound of Frédéric Chopin's piano works. Which instrument of it's time most convincingly reflected Chopin's music? Chopin himself had given the answer in 1831 InchPleyel's instruments are the non plus ultraInch!The choice for the recording therefore fell on a Pleyel fortepiano, built 1848 in Paris and expertly restored using historical materials and methods. It is absolutely identical in construction to the instrument that Chopin owned, and thus represents an authentic sound testimony. For acoustic reasons of the sound of the origi nal instruments, the Oberstrass Church in Zurich (1st Piano Concerto) and the Vienna Musikverein in Vienna (2nd Piano Concerto) were chosen as recording venues. The orchestras InchLa ScintillaInch conducted by Riccardo Minasi and the InchWiener AkademieInch conducted by Martin Haselböck also played on historical instruments. We hear in each case the historical versions by Jan Ekier. Margarita Höhenrieder's careful recreation of the authentic Chopin sound gives the listener highly interesting insights into music history. Sting insights into music history Album Tracks 1. I. Allegro Maestoso [19 46] 2. II. Romanza Larghetto [10 29] 3. III. Rondo Vivace [09 55] 4. I. Maestoso [13 01] 5. II. Larghetto [08 44] 6. III. Allegro Vivace [08 57]

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Following a highly successful series of concerts in the summer of 2022, Francesca Dego, Timothy Ridout, Laura van der Heijden, and Federico Colli headed into the studio to record Mozart's Piano Quartets. Whilst he may not have been the first composer to add a viola to the popular piano trio, Mozart was certainly the first to do so with such outstanding success. In his piano quartets, the strings become an equal partner to the piano, rather than mere accompaniment - much as in his piano concertos. This link is reinforced by his choice of form - unlike his string quartets, the piano quartets have three movements rather than four a full-bodied movement in sonata form, a lighter central slow movement in a related key, and a rondo finale. Both works were composed during the three-year period, from February 1784 to December 1786, in which Mozart wrote twelve piano concertos. The first quartet is written in the key of G minor - rarely used by Mozart - and the overall mood is quite dark, almost disturbing. The second quartet, in E flat major, is by contrast much sunnier in atmosphere. Consequently, the two works together make for a very satisfying programme.

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Ensemble: Concertos for Double Bass & Orchestra

(SACD-HYBRID) in this highly unusual recording, featuring the double bass as a solo instrument, we hear music by the Italian composer Giovanni Bottesini and two Swedish composers - Erland von Koch and Lars-Erik Larsson. Recorded in 1985 it is a release for anyone who appreciates the multitude of sounds that can be produced by the Double Bass.

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Gabriel Schwabe - Cello Concerto / Works for Cello & Piano - COMPACT DISCS [CD]

Schumann's love of the cello, which developed when he learned the instrument as a young man, is expressed most fully in his 'Cello Concerto in A minor.' It is a work marked by freshness of spirit and singing lyricism and stands as a rich example of mid-19th-century Romanticism. The series of characterful small pieces that include 'Funf Stucke i'm Volkston' reveals Schumann's joy in the cello's unique lyrical capabilities. The 'Drei Romanzen' and the 'Intermezzo' from the 'F-A-E Sonata' are presented here in new arrangements for cello and piano by Gabriel Schwabe. Gabriel Schwabe has established himself among the leading cellists of his generation. He is a laureate of numerous national and international competitions, including the Grand Prix Emanuel Feuermann and the Concours Rostropovich in Paris. As a soloist he has worked with orchestras such as the Philharmonia Orchestra, the NDR Radiophilharmonie, the Berlin Radio Symphony Orchestra, the Deutsches Symphonie-Orchester Berlin, the Malmo and Norrkoping Symphony Orchestras and the Royal Northern Sinfonia. He plays a rare Italian instrument made in Brescia (c. 1600). Album Tracks 1. Cello Concerto in a Minor, Op. 129 2. Cello Concerto in a Minor, Op. 129 00 20 45 3. Adagio and Allegro, Op. 70 (Version for Cello and Piano) 4. Adagio and Allegro, Op. 70 (Version for Cello and Piano) 00 08 21 5. Fantasiestücke, Op. 73 (Version for Cello and Piano) 6. I. Zart Und Mit Ausdruck 00 03 35 7. 4. II. Lebhaft, Leicht 00 03 17 8. 5. III. Rasch Und Mit Feuer 00 03 58 9. 3 Romanzen, Op. 94 (Arr. G. Schwabe for Cello and Piano) 10. No. 1. Nicht Schnell 00 03 21 11. No. 2. Einfach, Innig 00 03 51 12. No. 3. Nicht Schnell 00 03 51 13. 5 Stücke Im Volkston (5 Pieces in Folk Style), Op. 102 (Version for Cello and Piano) 14. No. 1. Mit Humor 00 02 39 15. No. 2. Langsam 00 02 40 16. No. 3. Nicht Schnell,

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Boston Symphony Orchestra: Historic Telecasts: Sir John Barbirolli

Sir John Barbirolli conducts the Boston Symphony Orchestra in the Brahms work; also the Walton Partita, Delius' "A Walk in the Paradise Garden" and Barbirollis' own "Elizabethan Suite." 1959 black & white film. 70 minutes.

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Altberg Ensemble - Erlebach, Fischer, Kusser & Fischer: Ouvertures & Suites - COMPACT DISCS [CD]

The album provides a unique opportunity to get to know the oeuvre of forgotten masters of the mature Baroque era and to admire their talent and compositional craftsmanship. Thanks to it's exuberant production, the Altberg Ensemble, specializing in historically informed performance on period instruments, transfers listeners to the world of emotions, intrigue and entertainment of sixteenth-century European courts.

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Marina Tarasova - Mieczyslaw Weinberg: Sonatas for Cello & Piano Nos. 1 & 2; Double-BassSonata; - COMPACT DISCS [CD]

Tarasova already has two of the tag's biggest sellers with Weinberg Cello Music (99131, 99132) Album Tracks 1. Tarasova Sonata ?1 C Major for Cello & Piano, Op.21* ; I. Lento Ma Non Troppo 2. II. Un Poco Moderato 3. Sonata ?2 G minor for Cello & Piano, Op.63* ; I. Moderato 4. II. Andante 5. III. Allegro 6. Sonata for Double-Bass Solo, Op.108 (On Cello) ; I. Adagio 7. II. Allegretto 8. III. Moderato 9. IV. Allegretto V. Lento 10. VI. Allegro Molto 11. 'Vinni Pukh' (Winnie the Pooh Rhapsody)

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Shut Up And Play The Piano

The artistic journey of Chilly Gonzales from Canada to the Berlin scene of the late '90s and finally to philharmonies worldwide. The Grammy-winning eccentric inspired and collaborated with the likes of Daft Punk, Drake, Feist, Jarvis Cocker and Peaches. Criss-crossing between rap, electro and chamber music, Chilly Gonzales is the outrageous entertainer who invited himself to the ivory tower of classical music.

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