Verdi's third opera was created at the Teatro alla Scala in Milan in 1842, in the epicentre of the InchRisorgimentoInch and the capital of Italian nationalism, at a time where the supporters of Italian independence from Austrian occupation were starting to make their voices heard. The InchChorus of the Hebrew slaves,Inch a pivotal point in the third act where the Jews, exiled from Babylon by Nabuchodonosor, mourn their country, Inchso beautiful and lost,Inch immediately resonated with the Italian nationalists and has ever since been a symbol of Italian national identity. French director Arnaud Bernard goes as far as to center the entire opera during the popular uprisings of 1848 and in the insides of the Milanese opera house. A clever way to emphasize on the legends that have been building around Verdi's operas and the role they played in the political process of uniting the Italian peninsula. Soprano Susanna Branchini steals the stage as Nabuchodonosor's daughter Abigaille, while Israeli-born conductor Daniel Oren conducts with great panache this Inchlyrical epicInch that holds such a special place in the heart of all Italians. As a film director, Ingmar Bergman was also a choreographer. His Inchinvisible handInch is constantly directing the actor in a slow dance around the room. The renowned and innovative Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. On the occasion of the 100th anniversary of Bergman's birth, this movie is not only a tribute to the Swedish cineaste's unique aesthetics, but also a way to deepen his search of the ineffable, his reflection on the visual poetry of movement